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	<title>Mingshi &#187; Bach</title>
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		<title>100 Best Bach 巴哈百分百</title>
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		<pubDate>Fri, 22 Jan 2010 08:53:55 +0000</pubDate>
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		<description><![CDATA[专辑介绍： 巴哈被尊称为「音乐之父」，他是西洋音乐在三百年前的第一个高峰。他代表了巴洛克音乐整体音乐风格的集大成，将德国、义大利和法国三个主要音乐重镇的音乐风格，融合於一身，其对於传统的复音音乐的体现，成为后世创作的标竿，即使在单音音乐来到的古典和浪漫乐派，他还是成为莫札特、贝多芬等人创作的灵感，他在「平均律」钢琴曲集中的前奏曲写作，影响了浪漫时代百年间的作曲家，从萧邦、德布西到史克里亚宾所写的钢琴前奏曲，都以他为模范；他的赋格写作，让莫札特写出第四十一号「天王」交响曲的终乐章、贝多芬后期四重奏、奏鸣曲和交响曲的赋格型式，更在萧士塔高维契的四十八首前奏与赋格中获得现代音乐的肯定；而巴哈自己改编自韦瓦第的协奏曲，则展现他对於同时代义大利音乐的礼讚和瞭解；同时，巴哈在夏康舞曲、帕萨卡格利亚舞曲、郭德堡变奏曲中所展现的庞大变奏手法，则在日后影响了贝多芬写下「狄亚贝里变奏曲」、布拉姆斯写出第四号交响曲等作。 对所有学习音乐的人而言，巴哈的音乐是教本也是规范，但对於不识音符的爱乐者而言，巴哈的音乐是放鬆和平衡心性的良药。电视影集和电影，只要想勾勒理性和优雅的意境，没有不从巴哈借用音乐的，「人魔」里的郭德堡变奏曲、「飞狼」里的无伴奏大提琴等等例子，说明了巴哈雅俗共赏的美感。在这六张CD之中，收录了巴哈音乐的各种面貌，从崇高的圣乐、到脱俗的器乐曲、再到最让人兴奋的协奏曲和最静謐的独奏作品，揭露巴哈音乐的美感，省去了爱乐的您在唱片行寻寻觅觅的困扰。 专辑曲目： 001. Mass in B Minor, BWV 232: Gloria in Excelsis (Chorus) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &#38; Philippe Herreweghe 002. Mass in B Minor, BWV 232: Laudamus Te (Soprano II) &#8211; Barbara Schlick, Catherine Patriasz, Charles [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.mingshi.info/wp-content/uploads/2010/01/a6c1_thumb.jpg" alt="IPB Image" /></p>
<p><strong>专辑介绍：</strong></p>
<p>巴哈被尊称为「音乐之父」，他是西洋音乐在三百年前的第一个高峰。他代表了巴洛克音乐整体音乐风格的集大成，将德国、义大利和法国三个主要音乐重镇的音乐风格，融合於一身，其对於传统的复音音乐的体现，成为后世创作的标竿，即使在单音音乐来到的古典和浪漫乐派，他还是成为莫札特、贝多芬等人创作的灵感，他在「平均律」钢琴曲集中的前奏曲写作，影响了浪漫时代百年间的作曲家，从萧邦、德布西到史克里亚宾所写的钢琴前奏曲，都以他为模范；他的赋格写作，让莫札特写出第四十一号「天王」交响曲的终乐章、贝多芬后期四重奏、奏鸣曲和交响曲的赋格型式，更在萧士塔高维契的四十八首前奏与赋格中获得现代音乐的肯定；而巴哈自己改编自韦瓦第的协奏曲，则展现他对於同时代义大利音乐的礼讚和瞭解；同时，巴哈在夏康舞曲、帕萨卡格利亚舞曲、郭德堡变奏曲中所展现的庞大变奏手法，则在日后影响了贝多芬写下「狄亚贝里变奏曲」、布拉姆斯写出第四号交响曲等作。</p>
<p>对所有学习音乐的人而言，巴哈的音乐是教本也是规范，但对於不识音符的爱乐者而言，巴哈的音乐是放鬆和平衡心性的良药。电视影集和电影，只要想勾勒理性和优雅的意境，没有不从巴哈借用音乐的，「人魔」里的郭德堡变奏曲、「飞狼」里的无伴奏大提琴等等例子，说明了巴哈雅俗共赏的美感。在这六张CD之中，收录了巴哈音乐的各种面貌，从崇高的圣乐、到脱俗的器乐曲、再到最让人兴奋的协奏曲和最静謐的独奏作品，揭露巴哈音乐的美感，省去了爱乐的您在唱片行寻寻觅觅的困扰。</p>
<p><strong>专辑曲目：</strong></p>
<p>001. Mass in B Minor, BWV 232: Gloria in Excelsis (Chorus) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
002. Mass in B Minor, BWV 232: Laudamus Te (Soprano II) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
003. Mass in B Minor, BWV 232: Et Incarnatus Est (Chorus) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
004. Mass in B Minor, BWV 232: Agnus Dei (Alto) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
005. Mass in B Minor, BWV 232: Osanna in Excelsis (Chorus) &#8211; Barbara Schlick, Catherine Patriasz, Charles Brett, Chorus Of Collegium Vocale, Ghent, Howard Crook, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
006. Cantata No. 147, &#8220;Herz Und Mund Und Tat Und Leben&#8221;, BWV 147: Choral: Jesu Bleibet Meine Freude (Jesu, Joy of Man&#8217;s Desiring) &#8211; Andrew Parrott, Taverner Choir, Taverner Consort &amp; Taverner Players<br />
007. Cantata No. 51, &#8220;Jauchzet Gott in Allen Landen&#8221;, BWV 51: Aria: Jauchzet Gott in Allen Landen! &#8211; Crispian Steele-Perkins, Ensemble Sonnerie, Monica Huggett &amp; Nancy Argenta<br />
008. Cantata No. 82, &#8220;Ich Habe Genug&#8221;, BWV 82: Aria: Ich Habe Genug &#8211; Europa Galante, Fabio Biondi &amp; Ian Bostridge<br />
009. Magnificat in D Major, BWV 243: Coro: Magnificat Anima Mea &#8211; Christoph Pregardien, Greta de Reyghere, La Petite Bande, Nederlands Kamerkoor, Peter Lika, René Jacobs &amp; Sigiswald Kuijken<br />
010. Magnificat in D Major, BWV 243: Aria: Tenore: Deposuit Potentes &#8211; Christoph Pregardien, Greta de Reyghere, La Petite Bande, Nederlands Kamerkoor, Peter Lika, René Jacobs &amp; Sigiswald Kuijken<br />
011. Christmas Oratorio, BWV 248: Am Ersten Weihnachtsfeiertage: Choral: Wie Soll Ich Dich Empfangen &#8211; Barbara Schlick, Chorus Of Collegium Vocale, Ghent, Howard Crook, Michael Chance, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
012. Christmas Oratorio, BWV 248: Am Sonntage Nach Neujahr: Aria: Basso: Erleucht&#8217; Auch Meine Finstre Sinnen &#8211; Barbara Schlick, Chorus Of Collegium Vocale, Ghent, Howard Crook, Michael Chance, Orchestra of Collegium Vocale, Peter Kooy &amp; Philippe Herreweghe<br />
013. St. John Passion, BWV 245, Pt. Two: No. 17 Ach, Grober Konig &#8211; Andrew Parrott, David Thomas, Roger Covey-Crump &amp; Taverner Consort<br />
014. St. John Passion, BWV 245, Pt. Two: No. 30 Es Ist Vollbracht &#8211; Andrew Parrott, David Thomas, Roger Covey-Crump &amp; Taverner Consort<br />
015. St. John Passion, BWV 245, Pt. Two: No. 39 Rhut Wohl: Ihr Heiligen Gebeine &#8211; Andrew Parrott, David Thomas, Roger Covey-Crump &amp; Taverner Consort<br />
016. Cantata &#8220;Jesu, Der Du Meine Seele&#8221;, BWV 78: Wir Eilen Mit Schwachen, Doch Emsiger Schritten &#8211; Consortium Musicum &amp; Wolfgang G?nnenwein<br />
017. Cantata No. 106, &#8220;Gottes Zeit Ist Die Allerbeste Zeit&#8221;, BWV 106: Sonatina &#8211; Consortium Musicum, Edith Mathis, Franz Crass, Suddeutscher Madrigalchor, Sybil Michelow, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
018. Cantata No. 106, &#8220;Gottes Zeit Ist Die Allerbeste Zeit&#8221;, BWV 106: Chorus: Gottes Zeit Ist Die Allerbeste Zeit &#8211; Consortium Musicum, Edith Mathis, Franz Crass, Suddeutscher Madrigalchor, Sybil Michelow, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
019. St. Matthew Passion, BWV 244: Aria: Erbarme Dich, Sein Gott &#8211; Emmanuelle Ha?m, Ensemble Orchestral de Paris, John Nelson &amp; Stephanie Blythe<br />
020. St. Matthew Passion, BWV 244 (Highlights): Chorale: O Haupt Voll Blut Und Wunden &#8211; Consortium Musicum, Franz Crass, Hermann Prey, Julia Hamari, Nicolai Gedda, Suddeutscher Madrigalchor, Teresa Zylis-Gara, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
021. St. Matthew Passion, BWV 244 (Highlights): Aria (Tenor, Chorus): Ich Will Bei Meinem Jesu Wachen &#8211; Consortium Musicum, Franz Crass, Hermann Prey, Julia Hamari, Nicolai Gedda, Suddeutscher Madrigalchor, Teresa Zylis-Gara, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
022. St. Matthew Passion, BWV 244 (Highlights): Chorus: Wir Setzen Uns Mit Tr?nen Nieder &#8211; Consortium Musicum, Franz Crass, Hermann Prey, Julia Hamari, Nicolai Gedda, Suddeutscher Madrigalchor, Teresa Zylis-Gara, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
023. Easter Oratorio, BWV 249: Chorus: Kommt, Eilet Und Laufet &#8211; Andrew Parrott, Caroline Trevor, Charles Daniels, Emily Van Evera, Peter Kooy &amp; Taverner Consort<br />
024. Cantate &#8221;Was Mir Behagt: Ist Die Muntr&#8217;e Jagd&#8221;, BWV 208 &#8211; Aria: &#8221;Schafe K?nnen Sicher Weiden&#8221; &#8211; Eckart Hauptt, Gudrun Jahn &amp; Peter Schreier<br />
025. Cantata No. 140 &#8220;Wachet Auf, Ruft Uns Die Stimme&#8221;, BWV 140: Chorus: Wachet Auf, Ruft Uns Die Stimme &#8211; Consortium Musicum, Dame Janet Baker, Elly Ameling, Hans Sotin, Suddeutscher Madrigalchor, Theo Altmeyer &amp; Wolfgang G?nnenwein<br />
026. 18 Chorales, BWV 651-668: Nun Komm&#8217; Der Heiden Heiland, BWV 659 &#8211; Lionel Rogg<br />
027. Toccata and Fugue in D Minor, BWV 565: Toccata &#8211; Lionel Rogg<br />
028. Toccata and Fugue in D Minor, BWV 565: Fugue &#8211; Lionel Rogg<br />
029. Concerto en la Mineur d&#8217;après Vivaldi, BWV 582: I. Allegro &#8211; Lionel Rogg<br />
030. Concerto en la Mineur d&#8217;après Vivaldi, BWV 582: II. Adagio &#8211; Lionel Rogg<br />
031. Concerto en la Mineur d&#8217;après Vivaldi, BWV 582: III. Allegro &#8211; Lionel Rogg<br />
032. Passacaglia in C Minor, BWV 582 &#8211; Lionel Rogg<br />
033. Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture &#8211; English Chamber Orchestra &amp; Philip Ledger<br />
034. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air &#8211; English Chamber Orchestra &amp; Philip Ledger<br />
035. Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte I &amp; II &#8211; English Chamber Orchestra &amp; Philip Ledger<br />
036. Double Violin Concerto in D Minor, BWV 1043: I. Vivace &#8211; Jane Murdoch, Jonathan Rees &amp; Scottish Ensemble<br />
037. Double Violin Concerto in D Minor, BWV 1043: II. Largo Ma non Tanto &#8211; Jane Murdoch, Jonathan Rees &amp; Scottish Ensemble<br />
038. Double Violin Concerto in D Minor, BWV 1043: III. Allegro &#8211; Jane Murdoch, Jonathan Rees &amp; Scottish Ensemble<br />
039. Orchestral Suite No. 2 in B Minor, BWV 1067: Rondeau &#8211; Sarabande &#8211; Bourrées I &amp; II &#8211; English Chamber Orchestra &amp; Philip Ledger<br />
040. Orchestral Suite No. 2 in B Minor, BWV 1067: Polonaise &#8211; Menuet &#8211; Badinerie &#8211; English Chamber Orchestra &amp; Philip Ledger<br />
041. Brandenburg Concertos, BWV 1046-1051, Brandenburg Concerto No. 4 in G Major, BWV 1049: I. Allegro &#8211; Jonathan Rees &amp; Scottish Ensemble<br />
042. Brandenburg Concertos, BWV 1046-1051, Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante &#8211; Jonathan Rees &amp; Scottish Ensemble<br />
043. Brandenburg Concertos, BWV 1046-1051, Brandenburg Concerto No. 4 in G Major, BWV 1049: III. Presto &#8211; Jonathan Rees &amp; Scottish Ensemble<br />
044. Harpsichord Concerto in F Minor, BWV 1056: I. [Allegro] &#8211; Bob van Asperen &amp; Melante Amsterdam<br />
045. Harpsichord Concerto in F Minor, BWV 1056: II. Largo &#8211; Bob van Asperen &amp; Melante Amsterdam<br />
046. Harpsichord Concerto in F Minor, BWV 1056: III. Presto &#8211; Bob van Asperen &amp; Melante Amsterdam<br />
047. The Musical Offering, BWV 1079: Ricercar a 6 &#8211; Ensemble Sonnerie<br />
048. Brandenburg Concerto No. 2 in F Major, BWV 1047: I. [Allegro] &#8211; Mark Bennett, Monica Huggett, Orchestra of The Age of Enlightenment &amp; Paul Goodwin<br />
049. Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante &#8211; Mark Bennett, Monica Huggett, Orchestra of The Age of Enlightenment &amp; Paul Goodwin<br />
050. Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro Assai &#8211; Mark Bennett, Monica Huggett, Orchestra of The Age of Enlightenment &amp; Paul Goodwin<br />
051. Concerto for Oboe: Violin and Strings in C Minor, BWV 1060: I. Allegro &#8211; Europa Galante &amp; Fabio Biondi<br />
052. Concerto for Oboe: Violin and Strings in C Minor, BWV 1060: II. Adagio &#8211; Europa Galante &amp; Fabio Biondi<br />
053. Concerto for Oboe: Violin and Strings in C Minor, BWV 1060: III. Allegro &#8211; Europa Galante &amp; Fabio Biondi<br />
054. Concerto for 4 Harpsichords in A Minor, BWV 1065: I. Allegro &#8211; Bernhard Klapprott, Bob van Asperen, Carsten Lohff, Marcelo Bussi &amp; Melante Amsterdam<br />
055. Concerto for 4 Harpsichords in A Minor, BWV 1065: II. Largo &#8211; Bernhard Klapprott, Bob van Asperen, Carsten Lohff, Marcelo Bussi &amp; Melante Amsterdam<br />
056. Concerto for 4 Harpsichords in A Minor, BWV 1065: III. Allegro &#8211; Bernhard Klapprott, Bob van Asperen, Carsten Lohff, Marcelo Bussi &amp; Melante Amsterdam<br />
057. Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] &#8211; Alison Bury &amp; Orchestra of The Age of Enlightenment<br />
058. Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio &#8211; III. Allegro &#8211; Alison Bury &amp; Orchestra of The Age of Enlightenment<br />
059. Violin Concerto in A Minor, BWV 1041: I. [Allegro] &#8211; Elizabeth Wallfisch<br />
060. Violin Concerto in A Minor, BWV 1041: II. Andante &#8211; Elizabeth Wallfisch<br />
061. Violin Concerto in A Minor, BWV 1041: III. Allegro Assai &#8211; Elizabeth Wallfisch<br />
062. Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro &#8211; Andrew Parrott, Janet See, John Holloway, John Toll &amp; Taverner Players<br />
063. Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso &#8211; Andrew Parrott, Janet See, John Holloway, John Toll &amp; Taverner Players<br />
064. Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro &#8211; Andrew Parrott, Janet See, John Holloway, John Toll &amp; Taverner Players<br />
065. Partita in A Minor for Solo Flute, BWV 1013: I. Allemande &#8211; Pierre Hantai<br />
066. Three Sonatas for Viola Da Gamba and Obbligato Harpsichord, BWV 1027-29, Sonata No. 3 in G Minor, BWV 1029: I. Vivace &#8211; Jordi Savall &amp; Ton Koopman<br />
067. Three Sonatas for Viola Da Gamba and Obbligato Harpsichord, BWV 1027-29, Sonata No. 3 in G Minor, BWV 1029: II. Adagio &#8211; Jordi Savall &amp; Ton Koopman<br />
068. Three Sonatas for Viola Da Gamba and Obbligato Harpsichord, BWV 1027-29, Sonata No. 3 in G Minor, BWV 1029: III. Allegro &#8211; Jordi Savall &amp; Ton Koopman<br />
069. Concerto in F Major in Italian Style, BWV 971: I. Allegro &#8211; Davitt Moroney<br />
070. Concerto in F Major in Italian Style, BWV 971: II. Andante &#8211; Davitt Moroney<br />
071. Concerto in F Major in Italian Style, BWV 971: III. Presto &#8211; Davitt Moroney<br />
072. 3 Sonatas and 3 Partitas, BWV 1001-1006, Partita No. 2 in D Minor, BWV 1004: V. Chaconne &#8211; Christian Tetzlaff<br />
073. Suites for Cello, Suite No. 1 in G Major, BWV 1007: Prelude &#8211; Ralph Kirshbaum<br />
074. Suites for Cello, Suite No. 3 in C Major, BWV 1009: Bourree I &#8211; Bourree II &#8211; Ralph Kirshbaum<br />
075. Suites for Cello, Suite No. 3 in C Major, BWV 1009: Gigue &#8211; Ralph Kirshbaum<br />
076. Suite in E Minor, BWV 996: IV. Sarabande &#8211; Pierre Hantai<br />
077. Suite in E Minor, BWV 996: V. Bourrée &#8211; Pierre Hantai<br />
078. Suite in E Minor, BWV 996: VI. Gigue &#8211; Pierre Hantai<br />
079. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: I. Praeludium &#8211; Gustav Leonhardt<br />
080. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: II. Allemande &#8211; Gustav Leonhardt<br />
081. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: III. Courante &#8211; Gustav Leonhardt<br />
082. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: IV. Sarabande &#8211; Gustav Leonhardt<br />
083. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: V. Menuet I. &#8211; Menuet II. &#8211; Menuet I &#8211; Gustav Leonhardt<br />
084. Partitas, BWV 825-830, No. 1 in B-Flat Major, BWV 825: VI. Gigue &#8211; Gustav Leonhardt<br />
085. Sonatas and Partitas for Solo Violin, BWV 1001-1006, Partita No. 3 in E Major, BWV 1006: I. Preludio &#8211; Monica Huggett<br />
086. Sonatas and Partitas for Solo Violin, BWV 1001-1006, Partita No. 3 in E Major, BWV 1006: Gavotte en Rondeaux &#8211; Menuets I. Et II. &#8211; Bourrée &#8211; Monica Huggett<br />
087. Das Wohltemperierte Klaver, BWV 846-893, Book One, No. 3 in C-Sharp Major, BWV 848: Prélude et Fugue &#8211; Bob Van Asperen<br />
088. Das Wohltemperierte Klaver, BWV 846-893, Book Two, No. 14 in F-Sharp Minor, BWV 883: Prélude et Fugue &#8211; Bob Van Asperen<br />
089. Chromatic Fantasia and Fugue in D Minor, BWV 903: Fantasia &#8211; Maggie Cole<br />
090. Chromatic Fantasia and Fugue in D Minor, BWV 903: Fugue &#8211; Maggie Cole<br />
091. Sonata for Flute &amp; Harpsichord in E-Flat Major, BWV 1031: I. Allegro Moderato &#8211; Lionel Rogg &amp; Michel Debost<br />
092. Flute Sonata in E-Flat Major, BWV 1031 (Doubtful): II. Siciliano &#8211; Lionel Rogg &amp; Michel Debost<br />
093. Sonata for Flute &amp; Harpsichord in E-Flat Major, BWV 1031: III. Allegro &#8211; Lionel Rogg &amp; Michel Debost<br />
094. &#8216;Goldberg&#8217; Variations, BWV 988 (Aria With Divers Variations): Aria &#8211; Maggie Cole<br />
095. Sonata in E Minor for Violin and Basso Continuo, BWV 1023: I. [Prelude] &#8211; Adagio Ma non Tanto &#8211; Davitt Moroney, John Holloway &amp; Susan Sheppard<br />
096. Sonata in E Minor for Violin and Basso Continuo, BWV 1023: II. Allemande &#8211; Davitt Moroney, John Holloway &amp; Susan Sheppard<br />
097. Sonata in E Minor for Violin and Basso Continuo, BWV 1023: III. Gigue &#8211; Davitt Moroney, John Holloway &amp; Susan Sheppard<br />
098. Toccata, Adagio et Fugue for Organ in C Major, BWV 564: Toccata &#8211; Lionel Rogg<br />
099. Toccata, Adagio et Fugue for Organ in C Major, BWV 564: Adagio &#8211; Lionel Rogg<br />
100. Toccata, Adagio et Fugue for Organ in C Major BWV 564: Fugue &#8211; Lionel Rogg</p>
<p>CD1　巴哈的圣乐天才</p>
<p>1-5. b小调弥撒BWV 232（五个乐章）<br />
6. 第147号清唱剧「以心、口、行为和生命」－圣咏段：耶穌，世人期待的喜悦<br />
7. 第51号清唱剧「诸土皆当称颂神」－咏嘆调：诸土皆当称颂神<br />
8. 第82号清唱剧「我已饱足」－咏嘆调：我已饱足<br />
9-10. 感恩讚歌BWV 243－合唱团与咏嘆调<br />
11-12. 圣诞神剧BWV 248－圣咏段与咏嘆调<br />
13-15. 圣约翰受难曲BWV 245－圣咏段、清唱剧与合唱段<br />
16. 第78号清唱剧「耶穌，你是我的灵魂」－二重唱：我们危危颤颤小心翼翼地快步行进<br />
17-18. 第106号清唱剧「主的时机是最好的时机」－小奏鸣曲、合唱段：主的时机是最好的时机</p>
<p>CD2　教会音乐家巴哈</p>
<p>1-4. 马太受难曲BWV 244（咏嘆调、圣咏段、咏嘆调、合唱段）<br />
5. 复活节神剧BWV 249－合唱段：来吧，加快你的脚步<br />
6. 狩猎清唱剧BWV 208「我唯一的乐趣就是狩猎」－咏嘆调：我唯一的乐趣就是狩猎<br />
7. 第104号清唱剧「留神啊，声音在呼唤」－合唱段：留神啊<br />
8. 圣咏曲BWV 659「异教徒的救星来了」<br />
8-10. d小调触技曲与赋格曲BWV 565<br />
11-13. a小调协奏曲BWV 593（改编自韦瓦第）<br />
14. c小调帕萨卡格利亚舞曲与赋格曲BWV 582</p>
<p>CD3　担任乐团指导的巴哈</p>
<p>1-3. D大调第三号管弦乐组曲BWV 1068<br />
4-6. d小调双小提琴协奏曲BWV 1043<br />
7-8. b小调第二号管弦乐组曲BWV 1067<br />
9-11. G大调第四号布兰登堡协奏曲BWV 1049<br />
12-14. f小调大键琴协奏曲BWV 1056<br />
15. 音乐奉献BWV 1079－六声部无插入式赋格</p>
<p>CD4　眩目的巴哈协奏曲</p>
<p>1-3. F大调第二号布兰登堡协奏曲BWV 1047（全曲）<br />
4-6. c小调小提琴与双簧管协奏曲BWV 1060（全曲）<br />
7-9. a小调四大键琴协奏曲BWV 1065（全曲）<br />
10-11. G大调第三号布兰登堡协奏曲BWV 1048（全曲）<br />
12-14. a小调小提琴协奏曲BWV 1041（全曲）<br />
15-17. D大调第五号布兰登堡协奏曲BWV 1050（全曲）</p>
<p>CD5　室内音乐家的巴哈</p>
<p>1. a小调无伴奏长笛组曲BWV 1013<br />
2-4. 古大提琴奏鸣曲BWV 1029（全曲）<br />
5-7. 义大利协奏曲BWV 971（全曲）<br />
8. d小调第二号无伴奏小提琴组曲BWV 1004－第五乐章：夏康舞曲<br />
9. G大调第一号无伴奏大提琴组曲BWV 1007－第一乐章：前奏曲<br />
10-11. C大调第三号无伴奏大提琴组曲BWV 1009－第四、六乐章<br />
12-14. e小调鲁特琴组曲BWV 996－第四－六乐章<br />
15-20. 降B大调大键琴组曲BWV 825（全曲）</p>
<p>CD6　超技的巴哈</p>
<p>1-2. E大调第三号无伴奏小提琴组曲BWV 1006－第一到第四乐章<br />
3-4. 平均律曲集（第一册第三号前奏曲与赋格曲、第二册第十四号前奏曲与赋格曲）<br />
5-6. d小调半音阶幻想曲与赋格BWV 903<br />
7-9. 降E大调长笛奏鸣曲BWV 1031（全曲）<br />
10. 郭德堡变奏曲BWV 988－主题<br />
11-13. 小提琴奏鸣曲BWV 1023（前三乐章）<br />
14-16. C大调管风琴触技、慢板与赋格曲BWV 564</p>
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